Poetic Techniques:
Here you will find relevant poetic techniques to use in your analysis! Poetic techniques differ from simple literary techniques through playing with sound, verse structure and flow to evoke audience response, emotion and emphasis in a much different way to what you might come across in novel or short story mediums.
Here is an example sentence to help you apply these techniques to your own writing! Make sure you address the Quote, Technique, Effect on the audience and its broader effect on the overall meaning of the text, linking back to your relevant question.
T.S Eliot’s use of enjambment in the below quote mimics the movement of thought, creating a sense of motion and urgency in the reader that builds upon the dark and vivid imagery Eliot employs.
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain. - Eliot, The Waste Land
| Sound and Musicality | |||
|---|---|---|---|
| Technique | Definition | Examples | Effects |
Alliteration | Repetition of the same letter or sound at the beginning of neighbouring words | The silver wren sang sweetly |
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Assonance | Repetition of vowel sounds within neighbouring words | And the Raven, never flitting, still is sitting, still is sitting |
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Consonance | Repetition of consonants or consonant sounds within neighbouring words | The lost host guest past the post. |
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Onomatopoeia | Words evoking or copying the sound of the thing they are referring to | The sizzling of the sausages Tick tock the clock clanged |
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Rhyme | Repeating sound at the end of words | The cold wind told its story fast. |
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| Structure and Form | |||
|---|---|---|---|
| Technique | Definition | Example | Effect |
Stanza Structure | The arrangement of lines into grouped units (couplets, tercets, quatrains, etc.). | A poem divided into four quatrains. |
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Volta | A deliberate turn or shift in thought, tone, or argument, often in sonnets. | In a sonnet, a shift from problem to resolution at line 9. |
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Refrain | A repeated line or phrase that recurs throughout a poem. | “Nevermore,” repeated in The Raven |
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Free Verse | Poetry without regular meter or rhyme scheme. | A poem with irregular line lengths and no rhyme. |
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Form types | The overarching structural pattern a poem follows (sonnet, ballad, ode, elegy, villanelle, etc.). | A Shakespearean sonnet with 14 lines and a set rhyme scheme. |
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| Voice and Emphasis | |||
|---|---|---|---|
| Technique | Definition | Example | Effect |
Anaphora | The deliberate repetition of a word or phrase at the beginning of successive lines or clauses | “I want justice. I want clarity. I want peace.” |
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Apostrophe | A direct address to an absent person, abstract idea, or inanimate object | “O Death, where is thy sting?” |
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Tone | The poet’s attitude toward the subject, conveyed through style, diction, and imagery | A poem using gentle, wistful language to create a nostalgic tone |
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Diction | The poet’s choice of words, including their connotations, formality, and texture | Choosing “slender” instead of “thin.” |
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Persona | The narrative voice or character adopted by the poet, distinct from the poet themselves | A poet writing as a weary soldier or a mischievous cat. |
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| Flow and Disruption | |||
|---|---|---|---|
| Technique | Definition | Example | Effects |
Enjambment | Continuation of a sentence across a line break | April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. - Eliot, The Waste Land |
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Caesura | A pause within a line. (pronounced like “says you're a”) | “Things fall apart; || the centre cannot hold.” - Yeats, The Second Coming |
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End Stopping | Opposite of enjambment, An end-stopped line ends with punctuation | “Thou art more lovely and more temperate.” - Shakespeare, Sonnet 18. |
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